Tommy Potter was always best-known for his association with Charlie Parker (1947-50), particularly for being a member of Bird's quintet at a time when its other players were Miles Davis, Duke Jordan and Max Roach. Never a major soloist himself on the level of an Oscar Pettiford, Potter (who usually just played four-to-the-bar lines) was really an advanced swing stylist who was flexible (and skilled) enough to keep up with Parker's often rapid tempoes. He actually began on the bass fairly late, originally playing piano and guitar and not switching to bass until he was already 21 in 1940.
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